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Loui XI

Musée des Temps Barbares - Parc archéologique de Marle
 

End of the fifteenth century: the Duke of Burgundy Charles the Bold against the king of France Louis XI

Charles le Témérairet the end of the fifteenth century the kingdom of France is totally ruined and the great lords, again independent disobey the king. Philippe the Good, Duke of Burgundy is the most powerful of them and considers himself the equal of the king. He is surrounded by a magnificent court (it is the time of the tournaments).

His son, Charles the Bold dream in great bourguignon state from Holland to Switzerland and will oppose the King of France, Louis XI (1461-1483). In 1477, Charles the Bold is killed in the siege of Nancy. Louis XI considerably enlarges the Kingdom of France (annexation of Burgundy and Picardy). His son, Charles VIII, has the same policy and at the end of the XVs royal domain covers most of the kingdom.

6 centuries later, the Festival of Marle will back to the splendor of the court of the Dukes of Burgundy, a great moment not to be missed ...

The flagship project of Marle will be the evocation of a large tournament of the late fifteenth century.

Artémis
Guerriers d'Avalon
Orcus (B)
Confrérie facétieuse
La Maisnie Penthièvre
La Mesnie Enguerran
Compagnie St Martin (Azincourt)
Massenie de St Michel 1473
Orléans 1429
Coquillards de Villon
Het Gruuthuse Huishouden (B)
Gezellen van Ghismo (B)
Frères d’Armes 1380
ACTA
Gopraerion - Les Mercenaires Bretons
Hackamores

he tournaments were very popular at that time especially in the vicinity of the Dukes of Burgundy and especially under Philip III the Good. The tournaments were no meetings in both sports and courteous that gave rise to fighting gentlemen and if the tournament undoubtedly has a military dimension, it is primarily a ritual game. The heart of the project will be felt dimension allegorical and symbolic drama of such events and show the public the wealth of poetry, but also literary or musical comedy these ritualized fighting.


 

CAUTION: To preserve the quality of the reconstructions presented to the public, only the leaders, re-enactment groups and artisans invited or selected by Alain NICE are allowed to come in costume on the site.

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